She carried four different passports from four different countries: Lebanon, Egypt, Jordan, and the United States. Her brother also killed her mother because he believed she was having an affair. Her first marriage was to escape her father's control. She came from a troubled family her father physically abused her and tried to steal her early movie earnings. She loved the Sasso’s who she thought were the only genuine people around her. Sabah was born to a Maronite Christian family in Bdadoun in Wadi Chahrour, she was also nicknamed Al Shahroura also called Ourrouar, a small town southeast of Beirut. Sabah's youthfulness and the joy she brought in her performances made her a living symbol of the 'belle époque' and of the 'joie de vivre' in the Levant and the Arab world. Sabah released over 50 albums and acted in 98 films during her career. She specialized in a Lebanese folk tradition called the mawal, and her most famous songs included 'Zay el-Assal' ('Your Love is Like Honey on my Heart') and 'Akhadou el-Reeh' ('They Took the Wind'). In her parallel music career, she recorded more than 3,000 songs, working with a string of legendary Egyptian composers, including the late Mohammed Abdel Wahab. Among her most popular films were Ataba Square (1959) Soft Hands (1964), and The Second Man (1959), in which she played a cabaret singer who vows to avenge her brother's death at the hands of a smuggling ring. She also acquired several affectionate nicknames, including 'Chahroura' ('songbird') and 'Sabbouha,' a diminutive of Sabah. The first of these, El-Qalb Luh Wahed ( The Heart Has Its Reasons), released in 1945, made her a star and she became known by her character's name - Sabah - which is Arabic for the morning. She soon caught the eye of Egyptian film producer Asia Dagher, who immediately signed her for three films. Sabah released her first song in 1940 at the age of 15. Sabah on the cover of Al Chabaka Magazine, April 1965

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